Liz and Jimmy
Performing classy Jazz standards from the 1920's, 30's and 40's...
Piano-vocalist Liz is joined by singer and saxophonist Jimmy, who brings his easy-going style to the show. Here they present classic duets, both well loved and new, such as ‘Dream a Little Dream’, ‘Baby It’s Cold Outside’, ‘Something Stupid’ and ‘Let’s Call The Whole Thing Off’
Liz and Jimmy's Bio
Sharing a passion for the male and female icons of the Golden era of Hollywood and Broadway, E & J have collated a vast repertoire of Jazz and Swing numbers from the 1920’s, 30’s and 40’s to delight any discerning crowd. Repertoire available on request.
Together, they have entertained clients from all over the world at concert halls, corporate and private events, theatres and TV; with and for famous artistes, entrepreneurs, Lords and Ladies, but lend them a piano, an appreciative audience and they’re in Heaven!
Liz and Jimmy come self-contained with keyboard and PA for intimate parties of up to 150 guests, although a real piano is always a delight! They are able to offer various line-ups to suit any occasion, including an added double bass to make a trio and drums to produce a formidable quartet…
Both singers have a wealth of experience performing at private and corporate events and pride themselves on their professionalism and integrity.
Testimonials
‘Liz and Jimmy were fabulous … We had originally booked them to perform a couple of background sets, and wasn’t expecting such a vibrant and entertaining night. I think they had everyone up dancing at one point.’
Susanna Young, knotandpop.com
“We wanted to say a massive thank you for such a wonderful performance during our Reception on Sunday. Also thank you for being so flexible and inclusive of our very musical family and friends :-)”
María & Mirja
‘I would just like to say thank you for helping make my daughter’s wedding party such an amazing and memorable evening. Really enjoyed your performance. What an evening! Hope to do it again sometime!’
Ray Saunders.
‘All heart, all soul, all music.’
Mark Murphy